I’m writing book reviews out of order today because I did what everyone told me not to do and immediately started another book after finishing one yesterday. So now my head is filled with nothing but Victorian England and gray and rain and clockwork apparatuses. Guess what I was reading?
Today’s featured book: Clockwork Prince, by Cassandra Clare (Book #2 of The Infernal Devices trilogy). I realize I don’t have a review of Clockwork Angel to link to; that’s because back then, I wasn’t as responsible when it came to recording/logging books I completed as I am now. Do I really need to go back and review it, though? I don’t think so– there are a GAZILLION reviews of Cassandra Clare’s books out there, 90% of them better than mine.
Format I consumed it in: E-book, from the library next to my house.
The premise: This is a sequel, so if you’re looking at it, I’m assuming you’ve already read the first book. This one picks up right where the last one left off, with Tessa and Will still being all awkward around each other ’cause he had to be all dumb and cruelly reject her right after they had their *moment* and kissed in Clockwork Angel (*whispers* but don’t worry, he has NOBLE REASONS for doing what he did!). The Shadowhunter world is still in mortal danger, though, so no time to dwell on feelings! Charlotte and Henry (the latter in name only) are at a hearing(?) to decide whether or not they (read: Charlotte) are suitable to continue running the London Institute. Sexism abounds, and that old git Benedict Lightwood offers himself up as a better choice as Institute head. Some other important people agree with him because Charlotte is young and female and supporting her is riskier and comfortably ensconced people don’t like taking risks. Also, conservatism and sexism and all that. The Consul, who is the head honcho/the man who appointed Charlotte as her father’s successor in the first place (the Head of Institute title isn’t hereditary), gives her two weeks to find/capture Mortmain and “redeem herself”.
And yes, this means the rollercoaster of feelings, confessions, meetings, comings, goings, revelations, etc., all happen in TWO WEEKS?! I’m having trouble absorbing that myself– perhaps my timeline is off? Hmm. Anyways, Tessa is still torn between her feelings for Will and her feelings for Jem, the Lightwood brothers get more screen time, a pairing that I saw coming from a mile away becomes a thing, Charlotte and Henry continue to be adorable, and Nate Gray is still a complete asshole. Oh yeah, and Tessa learns one more tiny thing about what exactly she is and how she may have come to be.
On the romance: I really enjoyed this book aside from one rather large factor: THE GOD-DAMN LOVE TRIANGLE. I can’t stand triangles. They’re not so bad when they’re fleeting or more one-sided. For example, there was technically a little triangle thing going on with Tessa-Jem-Sophie, but Sophie had more of a schoolgirl crush on Jem and it was clear that Jem only cared for Tessa in that way, so it was all right. Even the Jace-Clary-Simon triangle in The Mortal Instruments was better, weird incestuous situation aside, since no one fricken believed that Clary would pick Simon in the end (they even set things up for Simon to eventually move on with other potential love interests popping up all over the place!). The triangle in Infernal Devices is more along the lines of the one from Hunger Games— all-consuming, annoying, and completely unnecessary! Just once, can’t a female YA protagonist have nothing but pure friendship with a YA male protagonist? She can get with one male protagonist in the end, but why do they BOTH have to vie for her affections? I want more close male-female friendships in YA novels! In any novels!
I suppose that in this one unique case, there is an added tragic element to the triangle because Jem’s dying and Will and Jem are closer than brothers and all that (to me, being parabatai sounds a lot like being married), but I still spent half the book groaning aloud and wondering why Cassandra Clare couldn’t have just made Jem and Tessa become drawn to each other like brother and sister, since he’s an only child and she just got betrayed by her “brother” and is all alone as well? OR! She could have completely flipped the script and made Jem and Tessa get together in the ultimate tragic way and Will and Tessa could be best friends, bonding over books! IN ANOTHER UNIVERSE…
[BIG SPOILERS] I also disliked the Jessamyne/Nate thing because I can’t imagine someone being that stupid, but hey, what do I know? Charlotte and Henry… AWWWW, just AWWWW… I shipped Sophie and Gideon as soon as they met, so I was very happy about that; the whole class lines thing was done pretty well, imo.
On the rest of the book, like the plot and all that: It was still fast-paced SOMEHOW, despite all the pauses in-between for Tessa or Will to lament about their feelings. There were seriously paragraphs/pages of nothing but pining/anguish/making out, but things still chugged along smoothly. Most of the other characters who appeared are pretty memorable, and Mortmain remains a frightening and sinister force despite not once making an appearance in this book. The clockwork automatons are also largely absent, so the focus is more on the investigation. I did have a problem with the Gideon/Benedict Lightwood thing and how it played out. I just thought the way Gideon defects is done too easily. And how the hell did Benedict throw a huge, expensive party for denizens of the Downworld without SOMEONE from his world catching wind of it? Sure, he threw it in his family’s mansion away from the city, but these are still wealthy English families living in Victorian England– word gets around. How the hell did he manage to keep everything a secret? THESE ARE THE MINOR THINGS THAT I WONDER ABOUT WHEN READING OTHERWISE GOOD STORIES.
Rating: 3.75/5. I think that if I were to give a fair, unbiased rating, it would be a 4/5, but this is MY rating, so I’m taking a whole star off for the love triangle and an additional quarter of a star for MINOR PLOT THINGS.